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  • Installation view, Second Spring. Photograph by Vivian Doering.

    Bodies of Work

    Mark Jenkins, Substack, June 3, 2025
  • Installation view, The Language of Patterns. Photograph by Vivian Doering.

    Movable Parts

    Mark Jenkins, Substack, February 17, 2025
  • Installation view, The Radical Middle. Photograph by Vivian Doering.

    Shifting Dimensions

    Mark Jenkins, Substack, December 18, 2024
  • Installation view, 10012: The Abstract Vanguard. Photograph by Vivian Doering.

    Nonalignment Pacts

    Mark Jenkins, Substack, October 30, 2024
  • Installation view, Beyond Surface. Photograph by Vivian Doering.

    A tactile, textural, dynamic group exhibit

    Mark Jenkins, The Washington Post, July 19, 2024
  • Installation view, The Reality Principle. Photograph by Vivian Doering.

    Defining our roots as a pathway to introspection

    Mark Jenkins, The Washington Post, May 17, 2024
  • Installation view, Living Colors. Photograph by Vivian Doering.

    Transformations in 20th century abstraction

    Mark Jenkins, The Washington Post, May 10, 2024
  • Caitlin Teal Price, Fortress, 2023 © Caitlin Teal Price

    The Psychedelic Evangelist

    Brandon Borrell, The New York Times, March 21, 2024
  • Installation view, Geometrix: Encoded Abstraction. Photograph by Vivian Doering.

    Geometrix

    Mark Jenkins, The Washington Post, March 1, 2024
  • Dorothy Fratt, Bittersweet, 1981. © Dorothy Fratt

    Dorothy Fratt At Scottsdale Museum Of Contemporary Art

    Chadd Scott, Forbes, February 13, 2024
  • Installation view, New River. Photograph by Vivian Doering.

    A churning flow of images and ideas

    Mark Jenkins, The Washington Post, December 29, 2023
  • Installation view, Proximities. Photograph by Vivian Doering.

    Proximities

    Mark Jenkins, The Washington Post, December 1, 2023
  • Installation view, Proximities. Photograph by Vivian Doering.

    The Weekender: Proximities

    Galleries Now, November 3, 2023
  • Installation view, EPICENTER. Photograph by Vivian Doering.

    Epicenter

    Mark Jenkins, The Washington Post, October 27, 2023
  • Installation view, Epicenter. Photograph by Vivian Doering.

    Expanding Horizons: Pazo Fine Art Hopes To Replicate Kensington Gallery's Success in DC

    Phil Huntinet, East City Art, September 26, 2023
  • Installation view, Q & A. Photograph by Vivian Doering.

    Dunn, Gubbiotti, Malis & Uhlir

    Mark Jenkins, The Washington Post, August 11, 2023
  • Installation view: Sim Buhls. Photograph by Gregory Staley

    Evans & O’Connor

    Mark Jenkins, The Washington Post, March 17, 2023
  • Dorothy Fratt, I Owe You, Acrylic on canvas, 31 x 26 in

    Dorothy Fratt

    Molly Warnock, ARTFORUM, March 1, 2023
  • Installation view: Paint The Town Red. Photograph by Gregory Staley

    Dorothy Fratt: Paint The Town Red

    Mark Jenkins, The Washington Post, January 6, 2023
  • Dorothy Fratt, Untitled, 2001, Acrylic on paper mounted on canvas, 23 x 24 1/2

    GOING HER OWN WAY

    Dr. Ashley Busby, Art & Antiques Magazine, December 1, 2022
  • Rendering art through light and space

    Rendering art through light and space

    Mark Jenkins, The Washington Post, October 28, 2022
  • Seasonal group shows

    Seasonal group shows

    Mark Jenkins, The Washington Post, August 12, 2022
  • An installation view of “The Spaces In Between.” (Gregory Staley/Pazo Fine Art)

    Voisine & Yi

    Mark Jenkins, The Washington Post, July 1, 2022
  • An installation view of “Wave Songs: Terry Parmelee’s Works of the Eighties.” (Gregory Staley/Pazo Fine Art

    Terry Parmalee

    Mark Jenkins, The Washington Post, April 29, 2022
  • Installation shot: Left: Ken Weathersby 194 (z), 2012 ©Ken Weathersby | Right: E. E. Ikeler, WHAT DOESNT KILL YOU, 2018 ©E. E. Ikeler

    The grid is the primary motif but subject to subtle change

    Mark Jenkins, The Washington Post, January 6, 2022
  • Installation shot: Left: Max Estenger, Osha (White, Blue and Orange), 1995 ©Max Estenger | Right: Mark Dagley Hero, 1987 ©Mark Dagley

    Artists illustrate the evolving principles of geometric painting

    Mark Jenkins, The Washington Post, October 20, 2021
  • Installation shot: Left: Thomas Downing, Run (TD2804), 1972 ©Thomas Downing | Right: Thomas Downing, Quadrille, 1972 ©Thomas Downing

    DC Abstraction Shines at Pazo Fine Art

    Claudia Rousseau, East City Art, August 12, 2021
  • Installation shot:. Left: Paul Reed, #12A, 1964 ©Paul Reed | Right: Thomas Downing, Split Possession, 1972 ©Thomas Downing

    Showcasing an artist’s exploration and influence

    Mark Jenkins, The Washington Post, August 6, 2021

Kensington

4228 Howard Ave Kensington
Maryland 20895

Open by appointment

Washington D.C

1932 9th Street NW, #C102, (Enter from 9 1/2 Street)
Washington, D.C 20001

Thursday–Saturday, 11 AM–6 PM

info@pazofineart.com

571.315.5279

 

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