PFA company logo
PFA
Skip to main content
  • Menu
  • Artists
  • Exhibitions
  • Art fairs
  • Press
  • About
  • Shop
Cart
0 items $
Checkout

Item added to cart

View cart & checkout
Continue shopping
Menu

  • Installation view: Sim Buhls. Photograph by Gregory Staley

    Evans & O’Connor

    Mark Jenkins, The Washington Post, March 17, 2023 Family snapshots, laundry tickets, inspection slips, diet plans, and comic-book “zaps” and “booms” are among the ingredients crammed into the... Read more
  • Dorothy Fratt, I Owe You, Acrylic on canvas, 31 x 26 in

    Dorothy Fratt

    Molly Warnock, ARTFORUM, March 1, 2023
  • Installation view: Paint The Town Red. Photograph by Gregory Staley

    Dorothy Fratt: Paint The Town Red

    Mark Jenkins, The Washington Post, January 6, 2023
  • Dorothy Fratt, Untitled, 2001, Acrylic on paper mounted on canvas, 23 x 24 1/2

    GOING HER OWN WAY

    Dr. Ashley Busby, Art & Antiques Magazine, December 1, 2022
  • Rendering art through light and space

    Rendering art through light and space

    Mark Jenkins, The Washington Post, October 28, 2022
  • Seasonal group shows

    Seasonal group shows

    Mark Jenkins, The Washington Post, August 12, 2022
  • An installation view of “The Spaces In Between.” (Gregory Staley/Pazo Fine Art)

    Voisine & Yi

    Mark Jenkins, The Washington Post, July 1, 2022
  • An installation view of “Wave Songs: Terry Parmelee’s Works of the Eighties.” (Gregory Staley/Pazo Fine Art

    Terry Parmalee

    Mark Jenkins, The Washington Post, April 29, 2022
  • Installation shot: Left: Ken Weathersby 194 (z), 2012 ©Ken Weathersby | Right: E. E. Ikeler, WHAT DOESNT KILL YOU, 2018 ©E. E. Ikeler

    The grid is the primary motif but subject to subtle change

    Mark Jenkins, The Washington Post, January 6, 2022
  • Installation shot: Left: Max Estenger, Osha (White, Blue and Orange), 1995 ©Max Estenger | Right: Mark Dagley Hero, 1987 ©Mark Dagley

    Artists illustrate the evolving principles of geometric painting

    Mark Jenkins, The Washington Post, October 20, 2021
  • Installation shot: Left: Thomas Downing, Run (TD2804), 1972 ©Thomas Downing | Right: Thomas Downing, Quadrille, 1972 ©Thomas Downing

    DC Abstraction Shines at Pazo Fine Art

    Claudia Rousseau, Ph.D., East City Art reviews, August 12, 2021
  • Installation shot:. Left: Paul Reed, #12A, 1964 ©Paul Reed | Right: Thomas Downing, Split Possession, 1972 ©Thomas Downing

    Showcasing an artist’s exploration and influence

    Mark Jenkins, The Washington Post, August 6, 2021

Pazo Fine Art

4228 Howard Ave Kensington
Maryland 20895

 

info@pazofineart.com

571.315.5279

Open by appointment Tuesday - Saturday

Subscribe to our newsletter

Artsy, opens in a new tab.
Instagram, opens in a new tab.
Facebook, opens in a new tab.
Manage cookies
COPYRIGHT © 2022 PAZO FINE ART
Site by Artlogic

This website uses cookies
This site uses cookies to help make it more useful to you. Please contact us to find out more about our Cookie Policy.

Manage cookies
Accept

Cookie preferences

Check the boxes for the cookie categories you allow our site to use

Cookie options
Required for the website to function and cannot be disabled.
Improve your experience on the website by storing choices you make about how it should function.
Allow us to collect anonymous usage data in order to improve the experience on our website.
Allow us to identify our visitors so that we can offer personalised, targeted marketing.
Save preferences
Close

Join our mailing list

Signup