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Nonalignment Pacts
Mark Jenkins, Substack, October 30, 2024 -
A tactile, textural, dynamic group exhibit
Mark Jenkins, The Washington Post, July 19, 2024 -
Defining our roots as a pathway to introspection
Mark Jenkins, The Washington Post, May 17, 2024 -
Transformations in 20th century abstraction
Mark Jenkins, The Washington Post, May 10, 2024 -
The Psychedelic Evangelist
Brandon Borrell, The New York Times, March 21, 2024 -
Geometrix
Mark Jenkins, The Washington Post, March 1, 2024 -
Dorothy Fratt At Scottsdale Museum Of Contemporary Art
Chadd Scott, Forbes, February 13, 2024 -
A churning flow of images and ideas
Mark Jenkins, The Washington Post, December 29, 2023 -
Proximities
Mark Jenkins, The Washington Post, December 1, 2023 -
The Weekender: Proximities
Galleries Now, November 3, 2023 -
Epicenter
Mark Jenkins, The Washington Post, October 27, 2023 -
Expanding Horizons: Pazo Fine Art Hopes To Replicate Kensington Gallery's Success in DC
Phil Huntinet, East City Art, September 26, 2023 -
Dunn, Gubbiotti, Malis & Uhlir
Mark Jenkins, The Washington Post, August 11, 2023 -
Evans & O’Connor
Mark Jenkins, The Washington Post, March 17, 2023 -
Dorothy Fratt
Molly Warnock, ARTFORUM, March 1, 2023 -
Dorothy Fratt: Paint The Town Red
Mark Jenkins, The Washington Post, January 6, 2023 -
GOING HER OWN WAY
Dr. Ashley Busby, Art & Antiques Magazine, December 1, 2022 -
Rendering art through light and space
Mark Jenkins, The Washington Post, October 28, 2022 -
Seasonal group shows
Mark Jenkins, The Washington Post, August 12, 2022 -
Voisine & Yi
Mark Jenkins, The Washington Post, July 1, 2022 -
Terry Parmalee
Mark Jenkins, The Washington Post, April 29, 2022 -
The grid is the primary motif but subject to subtle change
Mark Jenkins, The Washington Post, January 6, 2022 -
Artists illustrate the evolving principles of geometric painting
Mark Jenkins, The Washington Post, October 20, 2021 -
DC Abstraction Shines at Pazo Fine Art
Claudia Rousseau, East City Art, August 12, 2021 -
Showcasing an artist’s exploration and influence
Mark Jenkins, The Washington Post, August 6, 2021